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/ / WE ARE WHAT WE

> + Jesus Sedano / / Professor in Visual Arts

+ Andres Viera / / Tattooist

+ Victor Rotilio / / Professor in Visual Arts

+ Leandro Poblete / / Professor in Visual Arts

+ William Martini / / Illustrator and Graphic Designer

/ / ORIGIN AND RATIONALE

The mural painting sets an interesting experience of folk art, art that dates back to humanity's past. That has been very effective over the entire history of art, reaching intertwined with textual forms such as graffiti, posters or stencils more contemporary building and called Street Art, which seeks to communicate, interact, beautify and decorate.

The mural is one of the media and public art that contributes most to the construction of collective identity, is the highest form of painting, more logical, more pure and strong, is the most selfless that can not be converted into purpose of personal gain, nor can it be hidden for the benefit of a privileged few.

/ / NATURE OF OUR PROJECT

If we understand public space as the place or places we "belong" to everyone, through which pass daily heterogeneous individuals who interact, participate and enjoy the same rights, not only should present itself as an interesting work platform and direct interaction through art, but also as a space that should be viewed with some respect and responsibility. Undertake the work in the public space from a perspective of dialogue and communication based on suggestions from political or thematic Social commit us to prioritize the issues of objectives, rather than just the aesthetic or subjective catharsis.

is well to remember from time to time, that the inclination for artistic things and the pleasure of watching a painting are not at odds with the advantage of having clear ideas. The ephemeral nature of street art is part of its essence.