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GROUP VIROLA

NUT GROUP GROUP GROUP NUT NUT: STREET OF A GROUP OF INSTITUTIONS NUT: COLLECTIVE WORK GROUP NUT: EN LA VIA PUBLIC

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EN LA VIA PUBLIC

/ / Relational Aesthetics

"THE PROBLEM IS NO LONGER MOVING LIMITS OF ART, BUT TO TEST THE LIMITS OF RESISTANCE IN THE FIELD OF ART GLOBAL SOCIAL "REINALDO Laddaga

/ / INTERVENTION NIGHT

/ / STICKERS AND GRFFITIS










/ / Rescate COMPUSA

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COLLECTIVE WORK

/ LO PUBLIC

The place is Mural painting public space where you produce the appropriation process of dialogue between it and the community.

It follows that the mural is a public, the mural, public works, therefore the subject should be public.

is well to remember from time to time, that the inclination for artistic things and the pleasure of watching a painting are not mutually exclusive with the advantage of having clear ideas. The ephemeral nature of street art is part of its essence.

/ / WALL IN CULTURAL EVENTS

/ / EVENT POINT AND LINE

/ / LOCATION OF PEDRO LURO

/ CARE EVENT BAHIA
/ / EN DEMOCRACY WALL MISSING

Disappeared in democracy

"The idea for the mural came from the Municipality of Bahia Blanca, through the workshop that I am at Villa Harding Green in the neighborhood August 17 through Youth Division, "explains Leanne.

"The wall was a load conceptual work, as it had been painted by the poets Matthewites, and had a mural that meant a lot to us including the issue of missing persons. The idea of \u200b\u200bbringing together people who had worked at the previous wall had been partly covered and partly destroyed. We wanted to give back to society's mural disappeared, but modifying a bit the concept disappeared in democratic era. Raised the idea of \u200b\u200bhuman rights people who painted the mural above, along with Mothers of Plaza de Mayo and Sons. So had the opportunity to do so, we as Virola together with the group Painters Local 17 August. "

Despite being warned that in the span of about six months, the wall will to be collapsed, youth wanted to work on that wall and with this theme to replace the previous mural. "We could have painted trees, houses, puffs, but the mural had a history and wanted to respect it. Represent missing characters democracy, as Carlos Fuentes, Jorge Julio Lopez, Watu, Monica Moran, Pocho Ant, John Salvo, and quote characters who were in the mural had been covered. We sketches and designs, we tried that the composition is the same as the mural was, was a demonstration and a flag. We did the same but with the situations that we lived in our time "Jesus gave. The design was done in conjunction with Sandra Biondi a professor of design the ESAV , Cristina Alvarado Plate images provided above, and Lucia Bianco file provided information Historical Museum.

ECODIAS

/ / EVENT ANNIVERSARY LOAN LOSS RESERVES
/ / MEAT INDUSTRY WORKERS BAHIA BLANCA

The refrigerator (now ex - Paloni) was able to meet much of the consumption of Bahia Blanca, but with the help of economic policy, bad government and other bad habits led to the debacle; months without pay and subsequent calls with new fraud staff. All this meant that by August 2005 the struggle began. The fight that we know so well recovered enterprises.

And where was our meeting place, where our families saw the effort involved, there now stands the banner of cooperative LOAN LOSS RESERVES.

/ / CULTURAL EVENT PERIPHERAL
/ / BARRIO VILLA NOCITO




http://www.ecodias.com.ar/servicios/publicaciones/EcoDias- 264.pdf

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/ / WE ARE WHAT WE

> + Jesus Sedano / / Professor in Visual Arts

+ Andres Viera / / Tattooist

+ Victor Rotilio / / Professor in Visual Arts

+ Leandro Poblete / / Professor in Visual Arts

+ William Martini / / Illustrator and Graphic Designer

/ / ORIGIN AND RATIONALE

The mural painting sets an interesting experience of folk art, art that dates back to humanity's past. That has been very effective over the entire history of art, reaching intertwined with textual forms such as graffiti, posters or stencils more contemporary building and called Street Art, which seeks to communicate, interact, beautify and decorate.

The mural is one of the media and public art that contributes most to the construction of collective identity, is the highest form of painting, more logical, more pure and strong, is the most selfless that can not be converted into purpose of personal gain, nor can it be hidden for the benefit of a privileged few.

/ / NATURE OF OUR PROJECT

If we understand public space as the place or places we "belong" to everyone, through which pass daily heterogeneous individuals who interact, participate and enjoy the same rights, not only should present itself as an interesting work platform and direct interaction through art, but also as a space that should be viewed with some respect and responsibility. Undertake the work in the public space from a perspective of dialogue and communication based on suggestions from political or thematic Social commit us to prioritize the issues of objectives, rather than just the aesthetic or subjective catharsis.

is well to remember from time to time, that the inclination for artistic things and the pleasure of watching a painting are not at odds with the advantage of having clear ideas. The ephemeral nature of street art is part of its essence.

/ / WALL IN THE PUBLIC SPACE

/ / WALL MULTICULTURAL

/ / WALL POLLUTION




/ / WALL AWARENESS VIDEO GAMES




/ / WALL PROSTITUTION

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STREET TO INSTITUTIONS

/ / EN Murali Instituciones PUBLIC

/ / WALL ESA, V
/ / School of Visual Arts Spilimbergo

/ / THE CITY AND THE WALLS

We can say without fear that every wall is a "potential canvas, which exceeds its artistic ability to turn it into a media communications.
The city is a body in motion. He lives in a dynamic, doubles, is canceled and unfolds. Whereas
walls can not remain silent, should be covered with the visual production, an important part of the cultural heritage of the region.



/ / WALL EET N º 3
Dr. Rene Favaloro